plastic does not disappear; it merely surrenders its shape. it fractures into microshards that permeate the clouds, the deepest ocean trenches, and the very marrow of our bones. we are, quite literally, becoming as synthetic as the world we have built.

gardens of the future began as an art series born from the friction between devastation and transformation. the sculpted paintings are crafted entirely from Philadelphia trash and reclaimed materials—a practice that acts as a manifesto: we must start where we are, using what we have to go where we are trying to grow.

the works serve as a chilling consumerist "what if?" in these speculative, apocalyptic landscapes, the pollinators vanish and the soil turns to dust, yet these "forever blossoms" persist. from a distance, they are vibrant and whimsical; up close, a stark confession of our complicity.

while a cautionary tale regarding the biodiversity crisis and our current trajectory, this work is also a testament to the human spirit’s capacity to find light in the darkest of places. by transmuting trash into art, it explores the bridge between our suffocating reality and our ability to break down systems of waste to build something more expansive.

we are witnessing mass extinction fueled by our own convenience. these works act as a mirror, challenging the viewer to look at the garbage of our time and dare to dream something different.

we are the seed for future generations.